95% Pina

All Critics (79) | Top Critics (21) | Fresh (75) | Rotten (4) | DVD (1)

For anyone with an interest in dance, "Pina" is a must-see. For anyone not interested in contemporary dance, "Pina" is a should-see. It could change your mind.

Pina is a tribute of an artist by an artist, a friend to a friend. But its great genius comes from the mournful, as well as celebratory, reckoning of the performers Bausch pushed, collaborated with and inspired.

What might seem like a convenient bid for publicity - the first 3-D art-house film! - turns out to be the only logical way to showcase the action.

This meditation on movement and space, transportation and transcendence is not to be missed.

What the filmmaker has created is an inspired simulacrum - a jewel-box that contains more of Bausch's kinetic soul than film has any right to.

Crane and steadycam allow Wenders to get so close to the action that in the minimalist Caf? M?ller, one's illusion of being on stage is uncanny.

"Pina" isn't just for dance fans or those curious about the latest in 3-D. It's a celebration of life.

An immersive moviegoing experience beyond imagination.

A unique and often sublime artistic experience, "Pina" is a 3-D dance film that immerses us in the movement, letting us feel that we could reach out and touch these dancers as they float past us.

Outsiders might have more difficulty comprehending Bausch's mastery, especially whacked up into bite-sized pieces of inscrutable emotion and abrupt movement.

Dance fans won't want to miss it, but be prepared to be frustrated almost as often as you're awed.

Exciting if elusive - appealing to dance enthusiasts

Wenders and the Tanztheater company have combined to offer a masterful tribute to Bausch's unique vision, one that's enhanced by 3D.

A spectacular show of movement and stagecraft.

Sans 3D, Pina becomes a more unified work of undisputed merits, a passionate, fitting tribute from one of Europe's preeminent filmmakers and documentarians.

Pina is as rich in imagery and emotion as any film released this year and in some cases moreso.

This seems like a ripping good idea. In practice, "Pina" turns out to have a few problems.

Suggests thrilling new possibilities for the marriage of movies and dance.

Wenders, who so wanted to see the world through Pina's eyes, has done something even better. He's allowed posterity to see her world, and in a way as breathtaking as the work itself.

Even for someone who would rather count sheep than attend a ballet, these scenes are nothing short of astonishing, beautifully presenting dance's ability to depict words.

A milestone in dance and 3D filmmaking.

You won't hear the names Merce Cunningham, Martha Graham, Paul Taylor or Bob Fosse breathed herein.

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Source: http://www.rottentomatoes.com/m/pina_3d/

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